Commentary MDR

S8S12 Part II (1070-1078) Most of the Tibetan’s text is put in font 16, to provide better legibility when projected during classes. Footnotes and references from other AAB Books and from other pages of TCF are put in font 14. Commentary appears in font 12. Underlining, Bolding and Highlighting by MDR) Phần lớn văn bản […]

S8-12 Preamble Dear Fellow Students of A Treatise on Cosmic Fire, Các Huynh đệ đồng học kính mến của Luận về Lửa Vũ Trụ, It is the New Moon in Taurus and I am writing you from Mesa Arizona, where we are holding the 23rd annual Conference of the University of the Seven Rays and

S8S11 Part II (1060-1062) Most of the Tibetan’s text is put in font 16, to provide better legibility when projected during classes. Footnotes and references from other AAB Books and from other pages of TCF are put in font 14. Commentary appears in font 12. Underlining, Bolding and Highlighting by MDR) Phần lớn văn bản

S8S11 Part I (1054-1060) Most of the Tibetan’s text is put in font 16, to provide better legibility when projected during classes. Footnotes and references from other AAB Books and from other pages of TCF are put in font 14. Commentary appears in font 12. Underlining, Bolding and Highlighting by MDR) Phần lớn văn bản

Preamble for S8S10 Dear Fellow Students of A Treatise on Cosmic Fire, Các Đồng môn thân mến của Luận về Lửa Vũ Trụ, We have entered that portion of the book in which truly vast considerations are found on nearly every page. We are engaged in a study of motion with all its differentiations—motion both

Semester 8-9 Preampble Dear Fellow Students of A Treatise on Cosmic Fire, Các Bạn Đồng Môn của Luận về Lửa Vũ Trụ thân mến, We have a very deep section of text for this fortnight’s work. It deals with motion–the usual three types of motion are included. But important and perhaps unexpected discriminations exist. There